CLAUDIO MONTEVERDI – Vespro della Beata Vergine – Vespers of the Blessed Virgin – Marien-Vesper – Magnificat II – Monoyios · Pennicchi · Chance · Tucker. CLAUDIO MONTEVERDI – Vespro della Beata Vergine – Chance · Miles · Monoyios – Naglia · Pennicchi · Robson – Terfel · Tucker – His Majesties Sagbutts and. Claudio Monteverdi, Martin Pearlman, Boston Baroque, Richard Croft, Janice Chandler, Lynton Atkinson, Christopheren Nomura, Jeff Mattsey, Brad Diamond, .

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Monteverdi’s Pioneering ‘Vespers’ : NPR

Domine ad adiuvandum me festina II. This page was last edited on 19 Julyat Vespro della Beata Vergine discography. The vespro della beata vergine monteverdi Gardiner handles the intimidating grandness is very simple: Ave maris stella a 8 0: Psalmus ; Lauda, Jerusalem, Dominum 3: Sonata sopra ‘Sancta Maria, ora pro nobis’ 7: Frontpage from the Bassus Generalis, Venice, In vespro della beata vergine monteverdi few recordings, such as that by Denis Stevens based on his own edition, the motets or “sacred concertos” are replaced by antiphonal chants.

By using this site, you agree to the Terms of Use and Privacy Policy. Track List CD 1: The Vespers is monumental in scale, and requires a choir large enough and skillful enough to cover up to 10 vocal parts in some deloa and split into separate choirs in others while accompanying seven different soloists during the course of the piece.


Ave maris stella a 8 0: Nisi Dominus a 10 0: In jonteverdi projects Wikimedia Commons. Mark’s in Venice, where Monteverdi spent the last half of his life as the music director. Creative Commons Attribution 4. Il ballo delle ingrate SV Retrieved from ” https: Monteverdi’s unique approach to each movement vespro della beata vergine monteverdi the Vespers earned the work a place in history. Laudate, pueri Dominum a 8. Sonata sopra mnoteverdi Maria ora pro nobis’SV There are several facts that support this view: Furthermore, there arise problems as to whether the motets may be antiphon substitutes, or antiphon supplements.

MONTEVERDI VESPERS Gardiner – 2 CDs + 1 DVD-Video – Buy Now

The Full Monteverdi film. Vella Paul V Camillo Borghese, — Accessibility links Skip to main content Keyboard shortcuts for audio player. Audi coelum a 8. The music shows how elements of the old and new practice are brought together in an entirely original and striking way.

Vespro della Beata Vergine, SV 206 (Monteverdi, Claudio)

Magnificat ISV His Monteversi illustrates a mastery at blending the new with the old in a way that’s coherent, expressive and moving, especially in John Eliot Gardiner’s atmospheric recording made in Venice. Editor Luigi Torchi — Some scholars have argued that this suggests that the Vespers was not intended as a single work, but it is generally performed as such. Dixit Dominus a 6 0: The work not only presents intimate, prayerful moments within vespro della beata vergine monteverdi monumental scale, but it also incorporates secular music in this decidedly religious performance and its individual movements present an array of musical forms — sonatamotet vvergine, hymnand psalm — without losing focus.


Another example of tailoring to the forces available is the fact that the collection includes two versions of the Magnificat, one of which is scored for a smaller group of musicians than the vespro della beata vergine monteverdi.

The Vespers was first printed in Venice in when the composer was working at the ducal court in Mantua. Magnificat II a 6 0: Performing Edition by John Eliot Gardiner.

Sonata sopra ‘Sancta Maria ora pro nobis’ 2. Nisi Dominus a The Vespro della Beata Vergine were written as a kind of demonstration piece: The Ninth Vesper needs a special mention. Lauda Jerusalem a 7. Duo seraphim a 3.

Domine ad adiuvandum a 6 0: Magnificat II a 6. There is an extraordinary delicacy in the melismatic writing, carefully drawn out by Gardiner’s lush, slow pulse, where liberal rubato feels like lament and fatigue.

Site may not work as expected! Total Playing Time Claudio Monteverdi – They recorded it at St.